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SALE NUMBER 1773 ae 
on ae PUBLIC EXHIBITION FROM MONDAY, NOVEMBER FIFTH 


SIXTY-THREE VERY FINE 


ROWLANDSON 


4 DRAWINGS AND WATER COLORS 


WATER COLORS 

__ BY THE CELEBRATED ARTISTS OF 
THE ENGLISH, DUTCH, FRENCH & SWISS 
2 SCHOOLS OF THE EARLY NINETEENTH 
CENTURY 


A. FEW VERY FINE 


FRENCH COLOR PRINTS 


OF THE EIGHTEENTH CENTURY 


THE COLLECTION OF 


“MR. SIDNEY LOVELL PHIPSON 


[M. A. CAMBRIDGE, ENGLAND] 
BARRISTER-AT-LAW 
INNER TEMPLE, LONDON 


TO BE SOLD BY HIS ORDER 
THURSDAY EVENING, NOVEMBER FIFTEENTH 
AT EIGHT-FIFTEEN O CLOCK 


THE ANDERSON GALLERIES 


[MITCHELL KENNERLEY, PRESIDENT] 
PARK AVENUE & FIFTY-NINTH STREET, NEW YORK 
1923 


CoLreecTioN — : 
oe: 


| SALE NUMBER 1773 
_ ON FREE PUBLIC EXHIBITION FROM MONDAY, NOVEMBER FIFTH 


SIXTY-THREE VERY FINE 


ROWLANDSON 


DRAWINGS AND WATER COLORS 


WATER COLORS 
BY THE CELEBRATED ARTISTS OF 
THE ENGLISH, DUTCH, FRENCH & SWISS 
SCHOOLS OF THE EARLY NINETEENTH 
CENTURY 


A FEW VERY FINE 


FRENCH COLOR PRINTS 


rete PIGHTEENTH CENTURY: 


HE COLLECTION OF 


MR.SIDNEY LOVELL PHIPSON 


[M. A. CAMBRIDGE, ENGLAND] 
BARRISTER-ATLAW 
INNER TEMPLE, LONDON 


TO BE SOLD BY HIS ORDER 
THURSDAY EVENING, NOVEMBER FIFTEENTH 
AT EIGHT-FIFTEEN O CLOCK 


THE ANDERSON GALLERIES 


MITCHELL KENNERLEY, Presipent] 
PARK AVENUE & FIFTY-NINTH STREET, NEW YORK 
1923 


CONDITIONS OF SALE 


All bids to be Per Lor as numbered in the Catalogue. 


The highest bidder to be the buyer. In all cases of disputed bids the lot 
shall be resold but the Auctioneer will use his judgment as to the good faith 
of all claims and his decision shall be final. 


Buyers to give their names and addresses and to make such cash payments 
on account as may be required, in default of which the lots purchased to be 
immediately resold. 


Purchases to be taken away at the buyer’s expense and risk within twenty- 
four hours from the conclusion of the sale, and the remainder of the purchase 
money to be paid on or before delivery, in default of which The Anderson 
Galleries, Incorporated, will not be responsible if the lot or lots be lost, stolen, 
damaged, or destroyed, but they will be left at the sole risk of the purchaser, 
and subject to storage charges. 


All lots will be exposed for public exhibition before the date of sale, for 
examination by intending purchasers, and The Anderson Galleries, Incorpo- 
rated, will not be responsible for the correctness of the description, authen- 
ticity, genuineness, or for any defect or fault in or concerning any lot, and 
makes no warranty whatever, but will sell each lot exactly as it is, wirHoUT 
RECOURSE. 


Terms Casu. Upon failure to comply with the above conditions any sum 
deposited as part payment shall be forfeited, and all such lots as remain un- 
cleared after twenty-four hours from the conclusion of the sale will be resold 
by either private or public sale at such time as The Anderson Galleries, Incor- 
porated, shall determine, without further notice, and if any deficiency arises 
from such resale it shall be made good by the defaulter at this sale together 
with all the expenses incurred thereby. This condition shall be without prej- 
udice to the right of The Anderson Galleries, Incorporated, to enforce the 
contract with the buyer, without such resale. 


Bips. We make no charge for executing orders for our customers and 
use all bids competitively, buying at the lowest price permitted by other bids. 


The Anderson Galleries, Incorporated, will afford every facility for the 
employment of carriers and packers by the purchasers, but will not be respon- 
sible for any damage arising from the acts of such carriers and packers. 


THE ANDERSON GALLERIES 
PARK AVENUE AND FIFTY-NINTH STREET 
NEW YORK 


TELEPHONE PLAZA 9356 CATALOGUES ON REQUEST 


SALES CONDUCTED BY MR. F. A. CHAPMAN AND MR. A. N. BADE 


126-136 
65, 66, 67 


: < aaaene Bel 


| _ DEMARTEAU, G. | 140 2 
_ DESCOURTIS, C. M. 141, 142, 148 ” 
- DUNKER, BBO A: 120 
_ FARINGTON, a 70,71, 72 | 
_FERG, F. 3 ee 102 a” 
- FREUDENBERG, S. 121, 144 | 
Se_GARTIN, T. 78, 74, 75,76 
GUYOT, L. L. | 145, 146 
HARLOW, G. H. 77, 78, 79, 80 
HARRINGTON, C. . 81 
HARTMAN 93 
~~ HENDERSON, C. | 82, 83 
_ HOWITT, S. . 84 
HUET, J.B. ae 
JANINET, F. | 147 
JANTSCHA, L. 124, 125 | 
KOBELL, W. 96, 97, 98, 99, 100 : ' 
KONIG, F. N. 122 ot 
LA FARGUE, P. C. ates 
LA FOND, D. 123 
ty LE GRAND, A. 148 
LE PRINCE, J. B. (ATT. TO) 113 
PILLEMENT, J. 114,115,116, 117 
PRINS, J. H. | 103, 104 
PRONK, C. , 105 
PROUT, S. 85 


RADEMAKER, G. 106 


PP. 
7 


4 ¢ 
es, 


pe aa ae j 
[LANDSON, 4 


is ‘STANFIELD, Gs: 


| ‘TENKATE, H. G. 


- VAN GOYEN, SCHOOL OF 


VAN RUYSDAEL, J. 
- VARLEY, J. 
_ WHEATLEY, F. 


1 


> 


SALE 


THURSDAY EVENING, NOVEMBER’ FIFTEENTH, AT © 8:15 
NUMBERS 1-148 


THOMAS ROWLANDSON 
1756-1827 


NUMBERS 1-63 


CAULKING THE BOAT 


Fine shipping view. 
Pen and water-color. Signed. Size, 534 x 914 inches. 


THE GAMING HOUSE 


Title and description in the artist’s hand: “Gaming House— 


where a Parcell of Sharks meet to bite one anothers Hands 
off.” Illustrated in A. P. Oppe’s work on Rowlandson. 


Pen and water-color. Size, 614 x 934 inches. 


LATE ARRIVALS 


A. humorous scene at an inn after midnight. 


Pen and water-color. Size, 714 x 1014 inches. 


MONMOUTH 
Pen and water-color. With the title in the artist’s hand. Size, 
1144 x 17 inches. 


HITCHIN MARKET, HERTFORDSHIRE 


Pen and water-color. Signed. Size, 1084 x 17 inches. 


THE PATERNAL EYE 
One of the most amusing ‘social’ subjects. 
Pen and water-color. Signed and dated 1792. Size, 94 x 124% 


anches. 


TINTERN ABBEY, SOUTH WALES 

An uncommon subject for Rowlandson. Illustrated in A. P. 
Oppe’s work on Rowlandson. 

Pen and water-color. Size, 1114 x 1744 inches. 


1 


THE RECEPTION 
Tea being served in a dignified English drawing-room. 
Pen and water-color. Size, 9Y% x 15 inches. 


OLD PUTNEY BRIDGE 

Showing the famous old bridge with sails and punts on the 
river and a group of natives drinking and sparking on the near 
shore. 

Pen and water-color. Size, 101% x 17 inches. 


LANDSCAPE WITH FIGURES AND COTTAGE 
Pen and water-color. Size, 434 x 714 inches. 


LANDSCAPE WITH BRIDGE 
Pen and water-color. Size, 54/5 x 7% inches. 


A CONVERSATION UPON TYTHES 
Companion to the preceding. 
Pen and water-color. Size, 584 x 814 inches. 


THE PROPERTY TAX 
Illustrated in A. P. Oppe’s work on Rowlandson. 
Pen and water-color. Size, 584, x 814 inches. 


WAGON WITH RUSTICS 
Pen and water-color. Size, 5% x 9 inches. 


OX-CART CROSSING A BROOK 
Pen and water-color. Signed and dated 1779. Size, 584 x 9 
inches. 


SMOCK FATR 

One of the ‘Country Fair’ caricatures for which Rowlandson 
was famous. 

Pen and water-color. Size, 9 x 15 inches. 


RIVER SCENE WITH FISHERMEN 
A landscape of the finest quality. 
Water-color with very little pen work. Signed. Size, 12 x 19 
inches. 
[SEE ILLUSTRATION | 


2 


[NUMBER SEVEN 


EEN | 


18 


20 
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21 
al 
yy 22 
0 
4, D 
23 
fi 
24, 
25 
26 


CHEYNE WALK, CHELSEA, WITH REGATTA — 
A drawing of this same subject, but without the view of the — 
regatta is illustrated in A. P. Oppe’s work on Rowlandson. _ 
Pen and water-color. Size, 11 x 17 inches. 


CAPTAIN BARCLAY’S WALK, 1,000 MILES IN 1,000 
HOURS | 
An interesting drawing of a famous sporting event.  Illus- 
trated in A. P. Oppe’s work on Rowlandson. 

Pen and water-color. Size, 1084. x 1744 inches. 


RIVERSIDE INN, WITH RUSTICS CAROUSING 
A charming drawing, lovely in quality. ? 
Pen and water-color. Size, 9 x 181% inches. 


WALTHAM CROSS, WITH THE YORK COACH 


A fine example. 
Pen and water-color. Size, 1084 x 1534 inches. 


THE BIRD-FANCIER 


Pen and water-color. Signed and dated 1807. Size, 8 x 11 — 
inches. 


LOVE IN A VILLAGE | 

A. charming subject beautifully executed. Illustrated in A. P. 
Oppe’s work on Rowlandson. 

Pen and water-color. Signed and dated 1800, and with the 
tatle in the artist’s hand. Size, 8 x 101% inches. 


BARNET FAIR 
Fine grouping and perspective. 
Pen and water-color. Size, 12 x 1714 inches. 


HOTEL DE FLANDRE, BRUSSELS 

Illustrated in A. P. Oppe’s work on Rowlandson. 

Red and brown ink and water-color. Signed. Size, 734 x 10 
aches. 


THE ROAD THROUGH THE WOOD 
Illustrated in A. P. Oppe’s work on Rowlandson. 
Pen and water-color. Signed. Size, 914 x 143% inches. 


4 


27 THE ASSEMBLY ROOM, BATH 

a One of the finest of Rowlandson’s ‘social’ subjects. Illustrated 
ay - in A. P. Oppe’s work on Rowlandson. 

Pen and water-color. Size, 11 x 16% inche: 


[SEE ILLUSTRATION | 


; 9) 


NAS 


28 


30 


31 


32 


33 


34 


RICHMOND TERRACE, SURREY > 
Illustrated in A. P. Oppe’s work on Rowlandson. 
Pen and water-color. Signed. Size, 894 x 14, inches. 


FAIFLOP FAIR, ESSEX 
Rowlandson at his best. A long procession of codes and 
walking figures seen travelling along a curving country road. 


Beautiful in color and execution. Illustrated in A. P. Oppe’s 


work on Rowlandson. 


Pen and water-color. Signed and dated 1816. Size, 10x 1445 


ches. 


RICHMOND MARKET, YORKS 


A remarkable scene of animation executed with simple dashing _ 


line. 
Pen and wash. Size, 91% x 15 inches. 


PAULSTON BRIDGE, DEVON 
Landscape in pure water-color with only the figures outlined in 
ink. Signed and dated 1789, with a long description in the 
artist’s hand. Size, 1844 x 19 inches. 


CARDIFF MARKET PLACE 
A remarkable scene of animation and activity. Illustrated in 
A. P. Oppe’s work on Rowlandson. 
Pen and water-color. Signed and dated 1804. Size, 1084 x 17 
wnches. 

bree ILLUSTRATION | 


AN ESTUARY WITH SHIPPING 
A very fine and unusual example. 
Pen and water-color. Size, 9 x 13°4 inches. 


NAVAL VETERANS 

A most interesting subject showing a group of maimed naval 
veterans wheeling about the streets one of the famous full- 
rigged models of a British Man-o’-War. Illustrated in A. P. 
Oppe’s work on Rowlandson. 

Pen and water-color. Size, 684 x 81% inches. 


6 


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36 


37 


38 


39 


40 


4] 


THE DECLARATION. 
Illustrated in A. P. Oppe’s work on Rowlandson. 
Pen and water-color. Signed. Size, 744, x 914 inches. 


GREENWICH, KENT: A COACHING SCENE 
Pen and water-color. Size, 794 x 1144 inches. 


RIVER SCENE, TWICKENHAM 
A charming landscape. 
Pen and water-color. Size, 94 x 1484 inches. 


RAISING THE WIND 

The Prince of Wales, afterwards George IV, in the hands of 
the Money-lenders. 

An important drawing. 


- Water-color drawing. Size, 914 x 138 inches. 


THE AMOROUS TURK 

A subject similar to this has been engraved, entitled “A Ma- 
homedan Paradise.” 

Pen and water-color. Size, 1144 x 12 inches. 


COAST SCENE WITH TRAVELLERS LANDING 
Pen and water-color. Size, 11 x 161% inches. 


TRAVELLING IN GERMANY 
From the Earl of Warwick’s Collection, with the stamp. 


_Pen and water-color. Signed and dated 1789. Size, 9% x 15 


mches. 


42 


AS 


A 


— 


J/o~- 


SPORTSMEN REFRESHING 


One of the artist’s most characteristic caricature subjects. 
Pen and water-color. Size, 914 x 1114 inches. 


COAST SCENE WITH RUSTICS DANCING 
Pen and water-color. Size, 91% x 15 inches. 


THE FLUTE PLAYER 
Pen and water-color. Signed. Size, 884 x 634 inches. 


FISHERMEN’S DWELLINGS AT THE NORE 
Pen and water-color. Signed and dated, and with the title in 
the artist’s hand. Size, 1014 x 1684 inches. 


FISHERMEN’S DWELLINGS AT THE NORE 

The detail in part is the same as in the preceding drawing. 'The 
background, however, shows an entirely different view. 

Pen and water-color. Size, 1034 x 161% inches. 


COUNTRY INN WITH FIGURES 
Pen and water-color. Signed and dated 1827. Size, 6144 x 91% 
inches. 


NAVAL SHIPYARD, PORTSMOUTH 
Pen and water-color. Signed. Size, 1014 x 16% inches. 


A ROUND DANCE 
Illustrated in A. P. Oppe’s work on Rowlandson. 
Pen and water-color. Size, 7Y2 x 12% inches. 


9 


50 WOODLAND LANDSCAPE IN CORNWALL, WITH 
COTTAGE AND FIGURES 


An exceptionally fine landscape, showing Rowlandson at his 
best. 


Brown ink and water-color. Size, 14 x 181% inches. 


4 


[SEE ILLUSTRATION | 


10 


AMSTERDAM WITH SHIPPING 


A. drawing of splendid vigor. 
Pen and water-color drawing. Signed and dated 1791. Size, 
1414 x 2114 inches. 


SOLDIERS PICKNICKING 


Landscape with a jolly party lunching under the trees. 


Pen and water-color. Size, 91% x 1484, inches. 


THE PURSUIT 
Engraved in 1791. Illustrated in A. P. Oppe’s work on Row- 


~ Jandson. 


Pen and water-color. Signed and dated 1790. Size, 


1244 x 1734 inches. 


MENDING NETS 
Pen and water-color. Size, 6 x 814 inches. 


COTTAGE WITH COACH AND TRAVELLERS 
Pen and water-color. Size, 5°/4 x 81% inches. 


GEORGE WILSON THE PEDESTRIAN 
An interesting sporting event. 
Pen and water-color. Size, 584. x 91/4 inches. 


DOWNLANDS, SUSSEX 
A bright, sunny landscape. Llustrated in A. P. Oppe’s work 


on Rowlandson. 


Pen and water-color. Size, 684. x 1014 inches. 


A JO — 


= i 


CROSSING THE FORD 
A beautiful little drawing. 
Pen and water-color. Size, 74% x 10 inches. 


ESTUARY WITH SHIPPING 
Pen and water-color. Signed. Size, 6 x 914 inches. 


TPE 


60 


62 


63 


20 


64 


THE SAW-SETTER ac 
The caption in the artist’s hand reads: “Saw-Setter or Har- 
monic Scarecrow—Music hath charms to sett the teeth on 
eres 4 
Pen and water-color. Size, 814 x 9% inches. 


THE COMFORTS OF BATH 

A Series of Seven. 

Six of these drawings are the originals, varying in details more 
or less, for “The Comforts of Bath” published in 1798. One of 
the drawings here, “‘The Sweating Room,” remained unpub- 
lished. (7) | 

Pen and water-color caricatures. All signed. Average size, 
5 x 716 inches. 


GOING OUT IN THE MORNING: THE CHASE | 
A pair. Etched by W. P. Carey. Finely colored. With good 
margins showing the plate mark. Published in Dublin by 
Allen. (2) . 

Rare. 


FEYGE DAM WITH PART OF THE FISH MARKET 
AT AMSTERDAM 

Colored aquatint. [Engraved by Wright and Schultz.] Fine 
impression with the title. The publisher’s line erased. The ar- 
chitectural background in this plate represents one of the finest 
examples of this phase of Rowlandson’s work. 


ENGLISH SCHOOL 
NUMBERS 64-91 


W.E. ATKINS 


THE “DUKE OF WELLINGTON” AT PORTS- 
MOUTH 

The gallant frigate is seen leaving the harbor before brisk wind 
and a choppy sea. 

A marine view of superb quality. 

Water-color. Signed. Size, 15 x 22 inches. 


[SEE ILLUSTRATION | 


12 


| NUMBER SIXTY-FOUR | 


65 


ee 


66 


67 

je 
68 
/00 7 
69 


THOMAS S. BOYS 
1803-1874 


ISSY NEAR PARIS 
From the Collection of Sir Edward Poynter. 
Water-color. Size, 13 x 8° inches. 


THOMAS 8. BOYS 
1803-1874 


CATHEDRAL OF BAYEUX IN NORMANDY 

A splendid architectural drawing. From the Collection of Sir 
Kdward Poynter. 

Water-color and pencil. Signed and dated 1832. Size, 
1034, x 734 inches. | 


THOMAS 8S. BOYS 
1803-1874 


PLACE DE GREVE, PARIS 


- From the Collection of Sir Kdward Poynter. 


Water-color. Size, 544 x 9%4 inches. 


ROBERT CLEVELEY 
1747-1809 


THE DUKE OF CLARENCE LANDING AT STADE, 
PRUSSIA, 1785 

A. magnificent marine view. 

Water-color. Size, 18 x 2214 inches. 


EDWARD DAYES 
1763-1804 


ON THE WYE, HEREFORD 


A fine view beautifully executed. 


~ Water-color. Signed and dated 1791. Size, 1234 x 1634 


inches. 


14 


oe pee 
eT 


we Ws 


J. FARINGTON 
1747-1821 


70 SOUTHAMPTON WATER 
A fine decorative landscape. 


A 022- Water-color. Size, 934 x 1414 inches. 


J. FARRINGTON 
1747-1821 


71 NORTH VIEW OF LYNTON AND LYNMOUTH 
Pencil and wash. Signed in ink. Size, 934, x 1484 inches. 


J. FARINGTON 
1747-1821 


72 LYNMOUTH IN DEVONSHIRE 
Companion to the preceding. 
5 Vo Pencil and wash. Signed in ink. Size, 994 x 1484 inches. 


fo 
THOMAS GIRTIN 
1775-1802 
73 BROUGHAM CASTLE 
Water-color. Size, 6144 x 1014 inches. 
Vo 


oo 
THOMAS GIRTIN 
1775-1802 


74 WARWICK CASTLE 


A fine example. 
9 0 _Water-color. Signed on back in pencil. Size, 1334 x 181% 


inches. 


THOMAS GIRTIN 
1775-1802 


75 VIEW OF HEREFORD 


Very fine. 7 
ie 7 Ve Water-color. Signed on back in pencil. Size, 12x 17 1% inches. 
| 15 


THOMAS GIRTIN 
1775-1802 


76 VIEW OF PUTNEY 


Companion to the View of Hereford. 
| y iZ Water-color. Size, 1834, x 181% inches. 


G. H. HARLOW 
1787-1819 


77 PORTRAIT OF MRS. SIDDONS 
A fine portrait of this beautiful and talented actress. 
Pencil, heightened with red chalk. Signed with imtials and 


Ih a dated Nov. 30, 1813. Size, 884 x 7 inches. 


G. H. HARLOW 
~ 1787-1819 


78 LADY MARY HAMILTON 
Pencil and charcoal heightened with red chalk. Size, 81% x 7 


a inches. 


/ oe 


G. H. HARLOW 
1787-1819 


79 GIRLS DANCING 


A group of young girls in a graceful dancing tableau. 
Pencil drawing heightened with red chalk. Size, 11 x 9 inches. 


ia 


G. H. HARLOW 
1787-1819 


80 SIR ROBERT HALL, K.C.B. 
Pencil heightened with red chalk. Signed with initials and 


dated Feb. 1816. Size, 1084 x 8 inches. 
16 


86 


CHARLES HARRINGTON 
CONTEMPORARY 


ASHDOWN FOREST, SUSSEX 
Water-color. Signed and dated. Size, 11 x 15 inches. 


COOPER HENDERSON 


FRENCH DILIGENCE 

A brilliant drawing. 

Pen and water-color. Signed with initials. Size, 1084 x 15 
anches. | 


COOPER HENDERSON 


A FRENCH POSTING COACH 
Water-color. Signed with initials. Size, 8 x 1014 inches. 


SAMUEL HOWITT 
1765-1822 


RAMSGATE HARBOUR 
Water-color. Signed and dated 1791. Size, 9 x 1284 inches. 


SAMUEL PROUT 
1783-1852 


ROUEN 


Market scene, fine architectural background, cathedral in the 


distance. 
Water-color. Size, 17 x 11% inches. 


CLARKSON STANFIELD 


1793-1867 
SUMMER 
Sepia wash. Size, 12 x 17% mches. 
17 


JOHN VARLEY 
1778-1842 


87 VILLAGE SCENE 
e Pr vy Water-color. Size, 11 x 16 inches. 
0 


JOHN VARLEY 
1778-1842 


88 ROCHESTER CASTLE 
Water-color. Size, 1114 x 19 inches. 


JOHN VARLEY 
1778-1842 


89 RIVER SCENE 
Water-color. Size, 94% x 1884 inches. 


JOHN VARLEY 
1778-1842 


90 BOIL'TON BRIDGE, HEREFORDSHIRE > 
4 Water-color. Size, 8 x 1244 inches. 


FRANCIS WHEATLEY 
1747-1801 


91 RUSTIC COURTSHIP 
An interior view of an English cottage. A young farm-hand, 
with his food suspended ’twixt mouth and bowl, casting an ad- 

Sass miring glance at the farmer’s daughter who is seen demurely 

ih sewing at the kitchen window. | 
A. charming and most characteristic example. Unusually soft 
and delicate in coloring. 
Water-color. Size, 15% x 121% inches. 


[SEE ILLUSTRATION ]| 


18 


-ONE | 


cL a's 


[ NUMBER NINE 


wl ee ve ieee aE ws el 
r Ke ‘ 7 
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DUTCH SCHOOL 


NUMBERS 92-110 


ANTHONIS ANDRIESSEN 
1746-1813 


92 FOREST SCENE WITH FIGURES 
Water-color drawing. Size, 10°4, x 1314 inches. 


HARTMAN 


93 VILLAGE SCENE WITH PERFORMING BEARS 
Water-color. Signed. Size, 74 x 1034 inches. 


JAN DE BEYER or DE BELWJER 
1705- 


94 ROTTERDAM 
A fine architectural view. 
Fi L Water-color. Signed with initials and dated 1752. Size, 
Ws L 1144 x 161 inches. 


JAN DE BEYER or DE BEIJER 
1705- 


95 LEYDEN 
A view of the water-front at Leyden, showing the entrance to a 
canal, church and buildings. 
(acW ea Water-color. Signed with initials and dated 1755. Size, 
ine 1084 x 15 inches. | 


20 


WILHELM KOBELL 
1766-1855 


96 SOLDIERS FORAGING WHILE ON THE MARCH 
. An army on the march is seen seizing sheep, fowl, and other 
oe) Z 2 provisions from the rich farmland through which they are 


passing. 
Water-color. Signed in full. Size, 138 x 18 inches. 


WILHELM KOBELL 
1766-1855 


97 FRONTIER GUARDS 


A finely painted landscape with a group of soldiers examining 


a Fo — the papers of a migrating peasant family. 
Water-color. Signed “Wilhelm K.” and dated 1796. Size, 


1314 x 1634 inches. 


WILHELM KOBELL 
1766-1855 


98 HORSEMEN REFRESHING | 
We io — Water-color. Signed “Wilhelm K.” Size, 13 x 16 inches. 


21 


99 


[NUMBER NINETY-NINE | 


WILHELM KOBELL 
1766-1855 


PREPARING FOR THE HUNT 
This and the following number form a magnificent pair. In 
draftsmanship and color they equal if not surpass anything 
done by the great English sporting artists of the nineteenth 
century. 
Water-color. Signed and dated 1794. Size, 1444 x 1844 
inches. 

[SEE ILLUSTRATION | 


‘a 


ssh 


[NUMBER ONE HUNDRED | 


2 aT 
* 


WILHELM KOBELL. 


1766-1855 


100 RETURNED FROM THE HUNT 
Companion to the preceding. 
Th ‘Z — Water-color. Signed and dated 1794. 
inches. 
[SEE ILLUSTRATION | 


2 23 


e, 1484 x 1814 


101 


ie 


102 


103 


PAUL CONSTANTIN LA FARGUE 
-1782 


SCENE AT THE HAGUE 


Scene of one of the principal squares of the cine with a view a | 


of the public buildings, etc. Fie attention to architectural — 
detail. 
Pen and sepia wash. Signed. Size, 10% x 18 inches. 


FRANZ FERG 
1689-1740 


LANDSCAPE WITH HORSEMEN AND FIGURES 
AT A FORD 
Sepia wash. Signed and dated 1720. Size, 1114 x VW nohoee 


J. H. PRINS 
1766-1806 


BRIDGE OVER A CANAL 

A splendid example of this famous artist’s work. Most char- 
acteristic, as it illustrates his great attention to architectural 
detail, for which he was noted. 

Water-color. Signed and dated 1797. Size, 124% x 15 inches. 


J. H. PRINS 
1766-1806 


CANAL SCENE IN HOLLAND 
Water-color. Size, 914 x 784 inches. 


CORNELIS PRONK 
1691-1759 


THE VEGETABLE MARKET AT ALKMAAR 
A most interesting drawing, finished with great attention to 
detail. 


Water-color. Signed with initials and dated 1729. Size, 
614 x 1014 inches. 


24 


| NUMBER 106] 


| JAKOB VAN RUYSDAEL 
e. 1630-1682 


pe 


106 COTTAGE IN THE WOODS 


: A superb example of the work of one of the greatest Dutch 


27o0- landscape painters. 
Drawing in bistre and green tints. Signed and dated 1675. 


| Size, 914 x 1034 inches. 


[SEE ILLUSTRATION 


:; 25 


107 


108 


GERARD RADEMAKER 
1672-1711 


DUTCH CANAL cies 
Sepia wash. Size, 8°4 x 13 inches. 


HENDRIK GERRIT TENKATE 
1803-1856 


COTTAGE INTERIOR WITH AN ARTIST 
SKETCHING 
Water-color. Signed and dated 1845. Size, 6 x 8 inches. 


SCHOOL OF VAN GOYEN 


LANDSCAPE WITH DUTCH WINDMILL 
A delightful picture, beautifully painted and finished to the 


~. minutest detail. 


110 


111 


Water-color. Size, 984 x 1834 inches. 


SCHOOL OF VAN GOYEN 


RIVER SCENE WITH FERRY 
A. companion to the preceding, and equally charming in quality. 
Water-color. Size, 984 x 1384 inches. 


FRENCH SCHOOL 
NUMBERS 111-118 


P. A. BAUDOUIN 
1723-1769 


LES COLOMBES 

In all probability the original gouache for Choffard’s engraving 
“Les Amours Champétres.” A young peasant girl seated at 
the door of a rustic cottage observing a pair of billing doves 
on the ground before her. An older woman in the doorway 
cautions her to silence; a youth gazes down from a window 
above the door. 

Gouache. Size, 9 x 12 inches. 


26 


: 112 


to- 


NUMBER 112] 


JEAN BAPTISTE HUET 


PASTORALE 


1745-1811 


A group of cattle, sheep and goats are resting and grazing ina 
typical Huet landscape. The shepherd and shepherdess are 
seen in the background. 

Pen and water-color. Signed and dated 1780. Size, 1254 x 16 


enches. 


[SEE ILLUSTRATION | 


27 


113 
vA 


Al 


114 


115 HILLSIDE LANDSCAPE 


116 LANDSCAPE WITH RIVER 


dere 


117 LANDSCAPE WITH WATER-MILL 


ATTRIBUTED TO JEAN BAPTISTE LE PRINCE a 
1733-1781 | 


PEASANTS DANCING 
Pen and sepia wash. Size, 734 x 101% inches. 


JEAN PILLEMENT 
1727-1808 


A FOREST GLADE 
Black crayon. Signed. Size, 11 x 734 inches. 


JEAN PILLEMENT 
1727-1808 


Companion to the preceding. Fagot gatherers at work in the — 4 
foreground. A winding road leads to the -top of a cliff in the 
background upon which appears a cottage. 

Black crayon. Signed. Size, 11 x 13% inches. 


JEAN PILLEMENT 
1727-1808 


Fagot gatherers approaching in the foreground, which forms 
the near shore of a river. <A village is seen on the other bank, 
and a barge with sail on the river. 

Black crayon. Signed. Size, 11 x 144% inches. 


JEAN PILLEMENT 
1727-1808 


A charming composition. A river view with the mills as the 
central feature and figures of washerwomen on the shore in the 
foreground. 

Water-color. Size, 644, x 834 inches. 


28 


HUBERT ROBERT 
1733-1808 


118 ROMAN RUINS 
| mex pair, (2) 
/ B ¢- Water-colors. Size of each, 17 x 18 inches. 


SWISS SCHOOL 
NUMBERS 119-123 


JOHANN LUDWIG ABERLI 
1723-1786 


119 ‘% MOUNTAIN LAKE IN SWITZERLAND 
Water -color. Sige, 11-x 19 inches. 


BALTHASAR ANTON DUNKER 
1746-1807 


120 LANDSCAPE 
Pen and water-color. Signed and dated 17738. Size, 844% x 12 


anches. 
Yo- 


SIGISMOND FREUDEN BERGER 
1745-1801 


121 RUSTIC SCENE WITH FIGURES 
Pen and water-color. Size, 1134 x 834 inches. 
FRANZ NIKLAUS KONIG 
1765-1882 
122 SWISS PEASANTS DINING 
Water-color. Size, 644 x 814 inches. 
DANIEL LA FOND 


1760-1831 


123 LAKE THUN, IN THE SWISS ALPS 
Water-color. Signed and dated 1817. Size, 12 x 184% inches. 


ar x 


ip 57 4A brillant landscape. Much in the manner of Huet. 


AUSTRIAN SCHOOL 
NUMBERS 124-125 


LAURENZ JANTSCHA 
1742-1812 


124 LANDSCAPE NEAR VIENNA 


Water-color. Signed and dated 1782. Size, 114% x 16 inches. 


LAURENZ JANTSCHA 
1742-1812 


125 LANDSCAPE NEAR VIENNA 


j 5 fF Companion to the preceding. 


Water-color. Signed and dated 1782. Size, 114% x 16 inches. 


FRENCH EIGHTEENTH CENTURY ENGRAVINGS 
IN COLOR 
NUMBERS 126-148 


LOUIS MARIN BONNET 
1743-1793 


126 PASTORALE 
Engraving in the gouache manner, after Huet. Fine impres- 
sion, printed in colors. ‘Trimmed to the engraved border. 


LOUIS MARIN BONNET 
1743-1793 


127 PASTORALE 
Engraving in the gouache manner, after Huet. Fine impres- 
sion, printed in colors. ‘I'rimmed to the engraved border. 


30 


LOUIS MARIN BONNET 
1743-17938 


128 PASTORALE : 
a nee Kngraving in the gouache manner, after Huet. Fine imipres- 
sion, printed in colors. Trimmed to the engraved border. 


LOUIS MARIN BONNET 
1743-1793 


129 PASTORALE 


Engraving in the gouache manner. [Printed in colors after 
Huet. Beautiful impression, trimmed to the engraved border, 


Vi — but verv skilfully remargined. 


LOUIS MARIN BONNET 
1743-1793 


130 L’AMANT ECOUTE 


Stipple printed in colors, after Huet. Impression with the in- 
scription, fair margin but lacking the plate mark. Le Blane, 


/o “as No. 254. 


LOUIS MARIN BONNET 
1743-17938 


131 LE PAS DE MENUET 


of Do — Engraving in the pastel manner. Impression with the inserip- 
tion, printed in colors. Fair margins, but lacking plate mark. 


Le Blane, No. 450. 
31 


133 


/ 90 


134 


135 


LOUIS MARIN BONNET 
1743-1793 


LE DEJEUNE rf 
Engraving in the gouache manner, after J. B. Huet. Impres- 
sion with the inscription and the engraver’s address. Beauti- — 
fully printed in colors. With good margins. Mounted. 
Le Blane, No. 344. 


LOUIS MARIN BONNET 
1743-1798 


LE GOUTER 
Engraving in the gouache manner, after P. A. Baudouin. 
Printed in colors. Trimmed to the engraved border. Mounted. 
Le Blane, No. 386. : 


LOUIS MARIN BONNET 
1743-1793 


THE PLEASURES OF SOLITUDE | 
Engraving in the crayon manner, after Le Prince. Very fine 
impression in colors, with the inscription, but lacking the plate 
mark. (Skilfully repaired.) Le Blane, No. 747. 


LOUIS MARIN BONNET 
1743-1793 


ZEPHIRE AND FLORE 

Engraving in the gouache manner, after the drawing by Coy- 
pel. Beautiful impression, printed in colors. Margin trimmed 
to the engraved border. Borders gilded. 

This and its companion piece are often described as the work of 
Bartolozzi in the manner of Bonnet. 


32 


ie 


(137 


1360 


LOUIS MARIN BONNET 
1743-1793 


VERTUMNUS AND POMONE 

Engraving in the gouache manner, after the drawing by Coy- 
pel. I*ine impression, printed in colors. Margin trimmed to 
the engraved border. Border gilded. 

Companion to the preceding. 


FRANCOIS CAZENAVE 


LE BILLET DOUX 
Stipple printed in colors, after Monsiau. Proof with the en- 
graver’s name only. Large margin, but without the plate mark. 


A. CLEMENT 


LA QUERELLE; LE REPAS 

Stipples printed in colors, after Monsiau. Brilliant impres- 
sions. Large margins, but without the plate mark. . 
These are the plates for “Chants” 1 and 2 of “(#uvres 
Poissardes de J. J. Vade.” 


PHILIBERT LOUIS DEBUCOURT 
1755-1832 


LE MENUET DE LA MARIEHE, 1786 

Engraving in the gouache manner, after the engraver’s own 
design. Fine impression, printed in colors. With the inscrip- 
tion but small margin, lacking the plate mark. Tenaille, No. 8. 


GILLES DEMARTEAU 
1722-1776 


PASTORALE 

Engraving in the crayon manner, after Le Barbier. Fine im- 
pression, printed in two colors. With margin trimmed to the 
engraved border. Leymarie, No. 423. 


33 


CHARLES M. DES 
YS USBsia2 0 ea 


141 L/AMANT SURPRIS }.5 6 = eee 
Aquatint engraving in the gouache manner, afte 
Eis 7 Portalis and Beraldi, No. 38a. Most beautif 
colors. Fine impression, with TAT: showing 

plate mark. | 


[SEE ILLUSTRATION | 
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35 


148 


y, 
4) Jo es 
wt 


CHARLES M. DESCOURTIS 
1753-1820 


NOCE DE VILLAGE 
Aquatint engraving printed in colors, after N. A. Taunay. 
Beautiful impression, with the inscription, but remargined at 
the top and sides. The register marks are quite visible. Portalis 
and Beraldi, No. 1b. : 
Very fine. Third state. 


CHARLES M. DESCOURTIS 
1753-1820 


PRINCESS F. L. WILHELMINA DE PRUSSE 

Kngraving in the gouache manner. Printed in colors, after 
Tozelli. Proof impression, with the artist's names only. Large 
margin, but lacking the plate mark. Portalis and Beraldi, 


No. 9. 


SIGISMOND FREUDENBERG or FREUDEN BERGER 


144 


145 


1745-1801 


LES CHANTEURS DU MOIS DE MAI 
Aquatint from the engraver’s own design. Printed in colors 
and retouched with the brush. Small margin. 


LAURENT L. GUYOT 
1756-1806 


A VIEW IN “HIDE PARK” 

Aquatint printed in colors, after Belanger le Romain. Fine, 
brilliant impression. With full margins. 

This and the following form a most beautiful pair of small 
prints. 


36 


_ LAURENT L. GUYOT 
=e 1756-1806 


1 6 MAISON DE MADAME GARRICK A HAMPTON 
_ Aquatint printed in colors, after W. Walls. Fine, brilliant im- 
pression. With full margins. a 


FRANCOIS JANINET 
1752-18138 


l feet PETIT CHIEN; LE PETIT CONSEIL 

A pair. KEngravings in the gouache manner, printed in colors, 

after N. Lavreince. Fine early impressions. With margins, 

but lacking the plate mark. Portalis and Beraldi, Nos. 44 and 
ees (2) 


AUGUSTE LE GRAND 
1765-1808 


7 


148 LE SERIN CHERI 


! q | Stipple and line after a drawing by Lavreince. Printed in 
4 - _ ~ eolors. Impression with the inscription. Remargined at the 
y Z plate mark. (Slight repair at the bottom.) Bocher, No. 59. 


37 


c — I 29.09 = : 
(frat 42) /7% yf 


This catalogue designed by The Anderson Galleries 
Composition and Press-work by 
: Publishers Printing Company, New York 


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